HelenEdith's Blog

The minutiae of my life, plus website updates and book reviews

Entry for August 03, 2008 – Marlowe Music Week begins

Posted by HelenEdith on August 3, 2008

Marlowe Music Week 2008 kicked off today. I didn’t get to the coffee morning at the Youngs’ place, but I did go along this evening for chamber music, also at the Youngs’ place.

We divided up into two groups. Three violins, two violas, a cello (and their respective players) plus one pianist repaired to the front room downstairs, while six wind players ascended the stairs to Malcolm’s Den (the former back bedroom) where we proceeded to play some quite obscure music arranged for our combination of instruments. We had flute, oboe, clarinet, horn, bassoon (me!) and bass clarinet. Much of our music was purchased from Phylloscopus Publications, who specialise in wind chamber music and make the effort to publish lesser-known composers.

One of the most successful pieces we played this evening was by L. J. A. Lefébure-Wély (1817-1869) and was Sortie in Eb arranged for wind quintet with optional bass clarinet. It was arranged by A. R. Cuninghame. It is described as lively music, originally for organ. It had quite a fairground organ feel about it, and we liked it so much that we left it on our stands when we went downstairs for mid-session refreshments and played it again later on. 🙂

I did a bit of reed work before going out this evening, and I’ve brought the least good of the three soft cane reeds I purchased recently up to a playable state. I played on it for a while this evening, but it’s still not as good as the best of the bunch, although a bit more playing on it might improve it even without further work with the scraping knife. I also blew my two remaining plastic reeds and decided that one could stay in my bassoon case but that the other needed turfing out. I need to work on that one to try and bring it up to standard.

Even the playable plastic reed isn’t as good as the one that split recently. That one was very well blown in and had mellowed over the years. (Yes, I did say “years”. That plastic reed and I have been together for a good ten years, maybe longer! Having it split is a disaster.) If I play with a band, I will probably get out the plastic reed that stayed in my case, as it wouldn’t be out of place in a band, and might mellow. It’s a little way off being acceptable for orchestral or chamber music use – unless my lip gets so tired I can’t manage the cane reeds – but that’s an emergency! 🙂

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